Friday, June 21, 2019

A formal analysis of history of art-Africa Essay

A formal analysis of history of art-Africa - Essay Examplethere is a protrusion which can only be a nose and that is set close to two ovals that also contain indentations that could be interpreted as marks for the pupils of the eyes. It is tight to be sure if the eyes pip the nose more obvious or vice versa but the overall effect is clearly a human face. However, there is no discernable embouchure which is perhaps the artistic license taken by the individual who created this object. Below the face, there are is an almost foursquare hollow created which could represent the legs or the uterine cervix of the figure.Going beyond what is obvious, the colors of the object give it the sheen of aged wood or leather. The top part of the object which appears to be dark dark-brown and cracked in places gives the feel of leather fleck the bottom most part has chipped away in places to reveal a softer shade of brown and that gives the impression of wood being used in the construction. The bottom part is something which does not appear to fit in the shape since it contains a hollow within it while the rest of the object is quite solid. In essence, it seems that the bottom of the object is moving against it.On the other hand, the shapes behind the face and the curved top fit together quite well since the graceful curves complement each other and accent the most prominent feature of the artwork i.e., the human face. Since the object can also be split up into three distinct regions, of which the first is the curved shape at the top, the middle being the face and the bottom region containing the square hollow, it is easy to say that the object is made to be stood, presented and viewed vertically.The overall shape of the object in terms of being oval or not is difficult to define. Without taking the square hollow into the picture, graceful curves and oval shapes would have dominated the object and it would have been easy to say that the object is circular. However, the v iolent presence of penetrative angles that make the bottom most part of the object

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